In verse 1, the melody phrases often begin triadically (i.e. Both are heard between the voice and bass in the duet section. The two main melodies in Samba Em Prelúdio are heard in the first and second verses. No dynamics are printed, but the song is performed at a relaxed mezzo piano ( mp ) throughout. Coda - the guitar and bass play embellished riffs.the quaver triplet in the melody becomes a crotchet triplet in the bass.) The bass part contains rhythm values that are twice as long as the vocal melody (e.g. Voice and bass duet - the bass guitar plays an augmented version of the vocal part for verse 1 while the voice sings the melody of verse 2.guitar solo - features a virtuosic improvisation and is played over the chords of the second verse.linking section - the bass solo increases in tempo to move the song into bossa nova style for the remaining sections.verse 1 - an 8-bar repeated melodic idea.introduction - a complex bass guitar solo.An instrumental section led by the guitar gives contrast, and the introduction and coda sections create a sense of wholeness. The text features four stanzas, which are split between the two verses with some words repeated for emphasis. The structure of Samba Em Prelúdio is largely influenced by the words of the original song and the 16-bar chord pattern which underpins the track. Esperanza Spalding’s arrangement of Samba Em Prelúdio involves only the following three instruments:
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